Home Media Owners Triart Media Outdoor Billboards

Triart Media Outdoor Billboards

TRI Art Media (M) Sdn Bhd

TRI Art Media (M) Sdn Bhd is a registered corporate entity based in Kuala Lumpur, operating in the outdoor advertising sector as a billboard media owner.

Company Details

  • Registered address: 26, Level 2, Jalan 9/125d, Taman Desa Petaling, 57100 Kuala Lumpur, Wilayah Persekutuan
  • Sector: out-of-home media, roadside billboard inventory
  • Operating base: Klang Valley

A Taman Desa Petaling Base

The registered office sits in Taman Desa Petaling, on the southern side of Kuala Lumpur. That places the company within easy reach of the Cheras and Kajang corridors it serves.

Where the Inventory Sits

TRI Art Media’s boards are concentrated across the Klang Valley, covering a spread of catchments rather than clustering in a single corridor.

  • Cheras — dense residential, heavy commuter movement along the main arterial routes
  • Kajang — a growing satellite town with strong family and value-driven retail traffic
  • Mont Kiara — affluent and expatriate households with high disposable income
  • Damansara — professional, family-oriented suburbs with significant retail activity

A Useful Spread

The combination is broader than it first appears. Cheras and Kajang reach mass-market households; Mont Kiara and Damansara reach premium ones.

For advertisers who need both ends of the market, a single operator covering all four removes the need to assemble a buy across multiple vendors.

Format Profile

The portfolio leans towards traditional static roadside billboards rather than digital screens, positioned along suburban arterials and approach roads.

Horizontal panel formats dominate, mounted at moderate elevation and set back from the carriageway where tree cover and street furniture allow clear sightlines.

Why Suburban Arterials Work

These roads carry the same commuters twice daily, five days a week. Frequency builds through repetition rather than through a single high-impact exposure.

Traffic also moves slower on suburban arterials than on expressways, which gives drivers time to read the full message rather than just register a logo.

The A&W Mozza Burger Board

A strong example of the format working as intended. The product shot dominates the left, the Bahasa headline anchors the centre, and the brand mark sits at the far right where the eye finishes.

Appetite appeal does the heavy lifting. No price, no address, no clutter.

Why F&B Suits This Inventory

Food and beverage is among the strongest performing categories on suburban roadside boards, for reasons specific to the environment.

  • Proximity to purchase — outlets sit along the same arterials the boards face
  • Timing — the evening commute coincides with the decision about dinner
  • Visual product — food photographs well at scale and needs no explanation
  • Repeat exposure — the same commuters pass daily, building familiarity
  • Low copy requirement — a product shot and a line of Bahasa is enough

Fast food chains, beverage brands, cafe franchises and casual dining operators all use this inventory the same way: one product, one line, appetite doing the rest.

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